Veronica G K Williams

Katt is an artist-researcher-practitioner creating strange, playful work shaped by mischief, memory and nature, where reality and fiction blur through mythology and self-reflection. She is undertaking an AHRC-funded CDP PhD at the University of Portsmouth with Portsmouth Natural History Museum, exploring how regional museums can reimagine interactions with natural history collections through participatory creative methods and research-through-design, using emerging technologies within an attunement-led approach. Influenced by poetry, folklore and speculative practice, she brings stories to life through found, stolen and fabricated artefacts, prototypes and sensory encounters, and is drawn to the unreliable narrator as a form of mischief.

I have been involved in the music business for over 35 years as a studio engineer and later specialising more in restoring and mastering recordings. I work for both individual artists and record labels. I have a strong interest in helping to promote music and also helping people with music technology – particularly as a moderator on the Sound On Sound forum. I also have an electronic engineering and computing background which helps me to make sense of much of the new technology that it constantly emerging.

Emma Taylor is an oil painter and art history student, engaging with the human condition, sensuality, gender, mortality, and intimacy. Emma managed and curated the March 2024 Women’s History Month exhibition in Farnborough. She is currently shortlisted for the 2026 Royal Female School of Art curatorial mentorship in collaboration with the White Box Gallery in London. Emma’s paintings are characterized by soft, atmospheric textures and a restrained, muted palette that reflects upon 19th century classical traditions. Figures often appear partially obscured, emerging from or receding into hazy backgrounds or exposed underpainting.