Susmita Bhattacharya

I am a freelance heritage professional, dedicated to supporting museums to connect with communities and tell stories that matter. I am experienced in (i) oral history interviewing and museum audio production (ii) interpretation and exhibition development, (iii) co-curation and co-production; (iv) project management; (v) training & facilitation (vi) securing grant funding; (vii) audience development; and (viii) charity sector leadership. I am based in Hampshire and work throughout the south of England and the Midlands. I am passionate about the power of museums to promote wellbeing and place-shaping. I have an affinity to the Solent region and especially enjoy helping a wide variety of people to flourish through community-led participation.

I am a Wiltshire-based visual artist and consultant working with people and places through commissions, projects, residencies, walks and workshops. I work with media of relevance to each place, its ecology and heritage, from ‘natural’ and recycled materials, to photographs, text, sound and video. Previous Hampshire residencies have included working with Spud (New Forest), John Hansard Museum (Southampton) and Andover Museum. My consultancy work includes writing for publication, mentoring for emerging artists/creatives, and advisory work/professional development for the arts/heritage and environmental sectors. Access and inclusion is key to all my work, with a particular focus on the value of queer and neurodivergent voices/experiences.

I am an audio-artist that uses music hardware (no laptop) to create music which I adapt live- effectively remixing my own music in real time. I tend towards the techno genre but relish the challenge of creating site-specific music such as I did as part of the Q121 project- playing music live in the historic wind tunnel in Farnborough to a paying audience. I also like to create unique sounding instruments or sound sources using contact microphones or by “circuit-bending” older electronic toys. By creating unique instruments this way- old, unwanted toys can be sustainably given new leases of life and become both sonically and artistically pleasing or interesting. I like to collaborate with other artists.