Commotion Dance

Emma Taylor is an oil painter and art history student, engaging with the human condition, sensuality, gender, mortality, and intimacy. Emma managed and curated the March 2024 Women’s History Month exhibition in Farnborough. She is currently shortlisted for the 2026 Royal Female School of Art curatorial mentorship in collaboration with the White Box Gallery in London. Emma’s paintings are characterized by soft, atmospheric textures and a restrained, muted palette that reflects upon 19th century classical traditions. Figures often appear partially obscured, emerging from or receding into hazy backgrounds or exposed underpainting.

I am a visual artist who works across a range of media, originally crochet and textile but more recently in sculpture, installation and performance. I have a sensory approach to connecting to materials, most of them domestic recycled waste. I am very interested in experimentation and cross collaborations with artists from other disciplines and also outside of the field of the arts. Across the years, my practice has delved into the visual and metaphorical links between neuroscience and crochet, the cracking and transformations of womanhood after the menopause and more recently the opening and reconnecting to nature.

I am an artist living on the edge of The New Forest. I use folklore, folksong, old customs, games and rituals to explore contemporary issues particularly social and economic disparity. Country living can be a strange mix of bounty and hopelessness but when people have access to their own strong and sinuous roots, their own history and stories they have anchorage and hope. I seek the stories that connect us and as an artist I’m thinking of different ways of pinning them up on the metaphorical village hall notice board for all to see. Alongside my own practice I run drawing workshops as The Village Hall Draw and community workshops around the New Forest working with Culture in Common and Hampshire Cultural Heritage amongst others.