Sarah Blackwell

I am an artist living on the edge of The New Forest. I use folklore, folksong, old customs, games and rituals to explore contemporary issues particularly social and economic disparity. Country living can be a strange mix of bounty and hopelessness but when people have access to their own strong and sinuous roots, their own history and stories they have anchorage and hope. I seek the stories that connect us and as an artist I’m thinking of different ways of pinning them up on the metaphorical village hall notice board for all to see. Alongside my own practice I run drawing workshops as The Village Hall Draw and community workshops around the New Forest working with Culture in Common and Hampshire Cultural Heritage amongst others.

I am a visual artist who works across a range of media, originally crochet and textile but more recently in sculpture, installation and performance. I have a sensory approach to connecting to materials, most of them domestic recycled waste. I am very interested in experimentation and cross collaborations with artists from other disciplines and also outside of the field of the arts. Across the years, my practice has delved into the visual and metaphorical links between neuroscience and crochet, the cracking and transformations of womanhood after the menopause and more recently the opening and reconnecting to nature.

Hello! I’m a theatre maker, writer & opera singer living and working in Gosport. I co-run Gosport Creates, a community-directed, artist-run project supporting the creativity of women in Gosport. We organise workshops, performances and experiences that celebrate play, exploration & community, currently these run on Tuesday evenings at venues across Gosport. My award-winning show It is I, Seagull originated in Gosport, and toured around the UK and to Australia in 2025. I have a Masters with Distinction in Opera Performance from the Royal Welsh College of Music and Drama and a First Class (Hons) degree in English and Drama from the University of Kent. My work is supported by ACE, the Mayflower Theatre, the Winship Foundation, & an HCC grant.