Pip Rowson

Sasha Biloshisky is a UK-based choreographer, artistic producer, movement artist, and entrepreneur. Inspired by Hip-Hop culture and Breaking, he expanded into Street Dance, Parkour, and theatre. Sasha has worked with artists like Sean Paul, Kylie Minogue, and Boy George, and produced shows for leading car brands. His credits include the Olympic Games Opening Ceremony and the West End’s Daddy Cool. Founder of ArtGility, and Funk Format, he creates platforms for youth empowerment through dance and arts. He created Rawkus City – Portsmouth’s first Hip-Hop Arts Festival. Sasha lectures on dance education (New Bucks University, PGCE, University of Chichester) and consults for ISTD, championing authentic expression and creative potential.

I am a Wiltshire-based visual artist and consultant working with people and places through commissions, projects, residencies, walks and workshops. I work with media of relevance to each place, its ecology and heritage, from ‘natural’ and recycled materials, to photographs, text, sound and video. Previous Hampshire residencies have included working with Spud (New Forest), John Hansard Museum (Southampton) and Andover Museum. My consultancy work includes writing for publication, mentoring for emerging artists/creatives, and advisory work/professional development for the arts/heritage and environmental sectors. Access and inclusion is key to all my work, with a particular focus on the value of queer and neurodivergent voices/experiences.

Assembled Moments is a female-led physical theatre company based in Lymington in the New Forest, with a focus on creating new work. Assembled Moments is led by writer/director Stacie Bates. Stacie Bates has a Masters in Theatre from the Guildford School of Acting and a PGDip in Classical Acting from The London Academy of Performing Arts. Stacie has written for Ink Festival, The National Flash Fiction Anthology and most recently wrote and directed the play Future First, an ecoplay co-created with local teenagers at Forest Arts. Assembled Moments’ work has kindly been supported by Hampshire Cultural Trust, Forest Arts Centre, New Forest Council, Culture in Common and the ACE.