Maggie Rose

I am a freelance heritage professional, dedicated to supporting museums to connect with communities and tell stories that matter. I am experienced in (i) oral history interviewing and museum audio production (ii) interpretation and exhibition development, (iii) co-curation and co-production; (iv) project management; (v) training & facilitation (vi) securing grant funding; (vii) audience development; and (viii) charity sector leadership. I am based in Hampshire and work throughout the south of England and the Midlands. I am passionate about the power of museums to promote wellbeing and place-shaping. I have an affinity to the Solent region and especially enjoy helping a wide variety of people to flourish through community-led participation.

Hello! I’m a theatre maker, writer & opera singer living and working in Gosport. I co-run Gosport Creates, a community-directed, artist-run project supporting the creativity of women in Gosport. We organise workshops, performances and experiences that celebrate play, exploration & community, currently these run on Tuesday evenings at venues across Gosport. My award-winning show It is I, Seagull originated in Gosport, and toured around the UK and to Australia in 2025. I have a Masters with Distinction in Opera Performance from the Royal Welsh College of Music and Drama and a First Class (Hons) degree in English and Drama from the University of Kent. My work is supported by ACE, the Mayflower Theatre, the Winship Foundation, & an HCC grant.

Katt is an artist-researcher-practitioner creating strange, playful work shaped by mischief, memory and nature, where reality and fiction blur through mythology and self-reflection. She is undertaking an AHRC-funded CDP PhD at the University of Portsmouth with Portsmouth Natural History Museum, exploring how regional museums can reimagine interactions with natural history collections through participatory creative methods and research-through-design, using emerging technologies within an attunement-led approach. Influenced by poetry, folklore and speculative practice, she brings stories to life through found, stolen and fabricated artefacts, prototypes and sensory encounters, and is drawn to the unreliable narrator as a form of mischief.