Maggie Rose

Emma Taylor is an oil painter and art history student, engaging with the human condition, sensuality, gender, mortality, and intimacy. Emma managed and curated the March 2024 Women’s History Month exhibition in Farnborough. She is currently shortlisted for the 2026 Royal Female School of Art curatorial mentorship in collaboration with the White Box Gallery in London. Emma’s paintings are characterized by soft, atmospheric textures and a restrained, muted palette that reflects upon 19th century classical traditions. Figures often appear partially obscured, emerging from or receding into hazy backgrounds or exposed underpainting.

I am a visual artist who works across a range of media, originally crochet and textile but more recently in sculpture, installation and performance. I have a sensory approach to connecting to materials, most of them domestic recycled waste. I am very interested in experimentation and cross collaborations with artists from other disciplines and also outside of the field of the arts. Across the years, my practice has delved into the visual and metaphorical links between neuroscience and crochet, the cracking and transformations of womanhood after the menopause and more recently the opening and reconnecting to nature.

I am a photographer passionate about social documentary, environmental portraiture, and visual sociology. I try to place ethics at the core of my practice, often working in socially engaged ways and via partner negotiation and collaboration. Previously I was a firefighter for 24 years, and then transitioned to event production, working globally with renowned clients like Duke Dumont, Wu-Tang Clan, Pusha T and many others. After leaving the touring life, I earned a BA and MFA in photography (with distinction) at the University for the Creative Arts and now here I am doing what I love.