Eleanor Hawkridge

I am an artist living on the edge of The New Forest. I use folklore, folksong, old customs, games and rituals to explore contemporary issues particularly social and economic disparity. Country living can be a strange mix of bounty and hopelessness but when people have access to their own strong and sinuous roots, their own history and stories they have anchorage and hope. I seek the stories that connect us and as an artist I’m thinking of different ways of pinning them up on the metaphorical village hall notice board for all to see. Alongside my own practice I run drawing workshops as The Village Hall Draw and community workshops around the New Forest working with Culture in Common and Hampshire Cultural Heritage amongst others.

I am a multi-disciplinary artist, and freelance illustrator and designer specialising in arts education, book arts, stop-frame animation, model making, and graphic design. I am a part-time lecturer on the BA Illustration course at the University of Portsmouth in the School of Architecture, Art and Design. I run my small-press publishing platform, Micro Library Books, exhibiting at illustration fairs in the UK and internationally, and since 2001 I have co-run an arts education partnership, Borbonesa, founded with fellow artists. The arts education projects I work on often focus on wellbeing and community, such as Stories in Transit, which aims to establish the right of displaced individuals to cultural expression.

Katt is an artist-researcher-practitioner creating strange, playful work shaped by mischief, memory and nature, where reality and fiction blur through mythology and self-reflection. She is undertaking an AHRC-funded CDP PhD at the University of Portsmouth with Portsmouth Natural History Museum, exploring how regional museums can reimagine interactions with natural history collections through participatory creative methods and research-through-design, using emerging technologies within an attunement-led approach. Influenced by poetry, folklore and speculative practice, she brings stories to life through found, stolen and fabricated artefacts, prototypes and sensory encounters, and is drawn to the unreliable narrator as a form of mischief.