Barbara Touati-Evans

I’m Hannah, a graphic designer with over 20 years’ experience in branding, print and digital design. I help businesses communicate clearly and confidently through thoughtful, well-crafted design. As a creative partner, I take the time to understand your business, goals and audience, and by working closely with clients and their teams, I create design solutions that are considered, effective and visually appealing. My work covers everything from branding and design for print to websites, including e-commerce. I manage projects from concept to delivery, coordinating suppliers and specialists as needed, and I take pride in being friendly, reliable and responsive while delivering work that adds clarity and confidence to your brand.

I am a multi-disciplinary artist, and freelance illustrator and designer specialising in arts education, book arts, stop-frame animation, model making, and graphic design. I am a part-time lecturer on the BA Illustration course at the University of Portsmouth in the School of Architecture, Art and Design. I run my small-press publishing platform, Micro Library Books, exhibiting at illustration fairs in the UK and internationally, and since 2001 I have co-run an arts education partnership, Borbonesa, founded with fellow artists. The arts education projects I work on often focus on wellbeing and community, such as Stories in Transit, which aims to establish the right of displaced individuals to cultural expression.

Katt is an artist-researcher-practitioner creating strange, playful work shaped by mischief, memory and nature, where reality and fiction blur through mythology and self-reflection. She is undertaking an AHRC-funded CDP PhD at the University of Portsmouth with Portsmouth Natural History Museum, exploring how regional museums can reimagine interactions with natural history collections through participatory creative methods and research-through-design, using emerging technologies within an attunement-led approach. Influenced by poetry, folklore and speculative practice, she brings stories to life through found, stolen and fabricated artefacts, prototypes and sensory encounters, and is drawn to the unreliable narrator as a form of mischief.